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Even if he stared at me and seemed interested, I still wouldn’t go.

While she has completed an MBA, bought a house for her parents, and built a stable career in a male-dominated field, she still suffers from the drawbacks of a small dating pool — most of the men she’d consider dating in her circle are already taken.“I don’t have anyone coming on to me, at least not the ones I like.

Directed by Hans Richter; cinematography by Arnold Eagle; narrated by Edgar Lang; music by John Gruen, Robert Abramson, Hans Richter, Douglas Townsend; lyrics by John Latouche; sound direction by H.

Calder finds a job as a timekeeper for a logging camp in Independence, Washington.

Asked if the possibility of remaining single all her life bothers her, she said: “I’m happy…I spend time with my family and friends; I don’t bother looking for a man.

Given how many Western men relish the more “traditional” (read: pre-feminist revolution) concept of male-female relationships they sometimes encounter here, that’s perhaps not surprising.

Stirling rents a studio in New York City on 51 West Tenth Street.

Corder; produced and written by David Idema; cinematography by Werner Schneider; narrated by Tom Saizan; edited by Bill Prins.

Even though he was Korean — and so, perhaps, not so judgmental — she waited for him to make the first move.“It’s tough for women to approach someone they’re interested in in public,” Ann said.

(Calder 1966, 28; CF, Calder 1955–56, 7) Winter: The Calders move to Croton-on-Hudson, New York.

(CF, certificate of graduation; Lipman 1976, 329) Calder holds jobs with an automotive engineer named Tracy in Rutherford, New Jersey, and with New York Edison Company as a draftsman.

(Sweeney 1943, 57; Hayes 1977, 41) Before 11 January: For his father's birthday, Calder makes , a game consisting of five painted animals—a tiger, a lion, and three bears—and a wooden board with nails divided into six pens.

Calder attends Germantown Academy for two or three months while his parents search for a house close to New York City.

(Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.

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