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|Sure\nNo thanks.|No thanks \nIgnore them|No thanksYou say hi to the guy standing next to you--he looks pretty nice. well, you're not really sure because the music is making his voice nearly incomprehensible.\n\nTell him you can't hear, and ask him to repeat his name.|Guy Name \nTell him your name.|Your Name \nAsk him what he does.|Guy Job They get you and Steph cocktails--heavy on the liquor. She says that she's a waitress at one of those fancy restaurants in the city.His non-fiction book, Candyfreak, was a New York Times Bestseller.His short fiction has been included in The Best American Short Stories and Pushcart Prize anthologies, and his most recent collection, God Bless America, won the Paterson Prize for Fiction.He starts dropping some big names that you've heard your friends talking about, but you're not really up on mainstream music.

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|Sure]]\nNo thanks.|No thanks \nIgnore them|No thanksYou say hi to the guy standing next to you--he looks pretty nice. well, you're not really sure because the music is making his voice nearly incomprehensible.

\n\nTell him you can't hear, and ask him to repeat his name.|Guy Name \nTell him your name.|Your Name \nAsk him what he does.|Guy Job They get you and Steph cocktails--heavy on the liquor. She says that she's a waitress at one of those fancy restaurants in the city.

His non-fiction book, Candyfreak, was a New York Times Bestseller.

His short fiction has been included in The Best American Short Stories and Pushcart Prize anthologies, and his most recent collection, God Bless America, won the Paterson Prize for Fiction.

He starts dropping some big names that you've heard your friends talking about, but you're not really up on mainstream music.

\n\nSmile because you don't know what to say next.|WinkYou're at a huge party--there's hundreds of people and they're all, for the most part, drunk and ready to mingle.

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I keep returning to old favorites like Judy Blume even though I should be studying current authors! I also really liked Hatchet by Gary Paulsen, which was written in 1987 but has a timeless feel. Three new favorites for me are Write Your Novel from the Middle by James Scott Bell, Save the Cat by Blake Snyder, and The Third Act: Writing a Great Ending for your Screenplay by Drew Yanno.

One of them puts his hand on your lower back and says "Awww come on, don't be like that." The other guy circles over to Steph and tells her that she looks beautiful.\n\nTell them you're not interested.|Girl EndBig parties like this are intimidating, and you find yourself standing alone.

Everyone looks gorgeous and your self-esteem isn't exactly up to par.

\n\n You think you really want to take a chance and put yourself out there.

\n\nGet a drink at the bar.|Bar\nApproach the guy standing nearby.|Guy\nApproach the girl standing nearby.|Girl NameHe tells you that he works in music--he's some kind of producer but you're honestly not entirely sure what he said.

\n\nYou feel out of place.|Awkward\nApproach one of the business casual guys.|Guy\nApproach one of the glitzy girls.|Girl Name\nGet a drink at the bar.|BarHe squeezes you, evidently not getting what you said. Why is he invading your space like this after you asked him to stop?

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I keep returning to old favorites like Judy Blume even though I should be studying current authors! I also really liked Hatchet by Gary Paulsen, which was written in 1987 but has a timeless feel. Three new favorites for me are Write Your Novel from the Middle by James Scott Bell, Save the Cat by Blake Snyder, and The Third Act: Writing a Great Ending for your Screenplay by Drew Yanno.One of them puts his hand on your lower back and says "Awww come on, don't be like that." The other guy circles over to Steph and tells her that she looks beautiful.\n\nLet them buy you a drink.|Decisions\nTell them you're not interested.|Girl EndBig parties like this are intimidating, and you find yourself standing alone.Everyone looks gorgeous and your self-esteem isn't exactly up to par.\n\n You think you really want to take a chance and put yourself out there.\n\nGet a drink at the bar.|Bar\nApproach the guy standing nearby.|Guy\nApproach the girl standing nearby.|Girl NameHe tells you that he works in music--he's some kind of producer but you're honestly not entirely sure what he said.\n\nYou feel out of place.|Awkward\nApproach one of the business casual guys.|Guy\nApproach one of the glitzy girls.|Girl Name\nGet a drink at the bar.|BarHe squeezes you, evidently not getting what you said. Why is he invading your space like this after you asked him to stop?

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