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In this act, we drop the whole belly of crap on the communal altar and perform an extispicy - the an- cient ritual act of sorting through fresh excrement for portents.

To- gether with the audience, we extract prophetic knowledge from the verbal dung heap. In the end there should be nothing left of it but what is con- stantly being recreated inourminds." You might question their sanity (or your own sanity), but there is little argument about their per- formance ability.

I'm warning you, I'm infected and determined to give you a lick of what I mean.

I'll begin with the Multime- dia Gala Performance which took place in the Fraser Auditorium Fri- day evening.

Along with text, it can involve interpretive and improvisational movement, speech, and visual display.

Some believe that poetry performance is a 1990's fad.

These services include personal ads of all types of singles from the transgender community: FTM, MTF, crossdressers, drag queens & kings – you name it.

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It was obvious that the effect was not at all disappointing to his audience.

Following Nash was Patricia Wynter, a guest performer brought in from Thessalon for the conference whose expertise lies in the field of creative movement.

From Nash's deep toned and rhyth- mic enunciation of this mix-match- hodge-podge of words, bits of words, and non-words, his cricket seems quite serious about what he is say ing!

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